Standing room only at premiere of ‘Drawing The Water,’ a film by Pauline O’Connell in collaboration with Ciarán Walsh

[simpleviewer gallery_id=”50″]

 

www.curator.ie / 23.06.2012: stills from footage shot by John Kennedy and Ciaran Walsh of the premiere of ‘Drawing the Water’ in Milltown, Co. Kerry on 23 June 2012.

 

‘Drawing The Water,’ a collaboration between artist Pauline O’Connell and www.curator.ie, was officially launched  by Irish arts minister Jimmy Deenihan T.D. in Milltown, Co. Kerry on Saturday 23 June 2012.  The event involved a premiere screening of the film ‘Drawing The Water’ and supporting documentation. There was standing room only in an event that went on long into the night with céilí dancing, tea and buns, reminiscence and chat in the best tradition of gatherings in rural Ireland.

‘Drawing the Water’ is a public art project by artist Pauline O’Connell. It was commissioned under the Per Cent for Art Scheme that is administered by the Arts Office of Kerry County Council. It was filmed by Ciarán Walsh in September, on location in Milltown and in a studio in Ballyheigue. Post production was managed by Ciarán Walsh.

 

Stills by curator.ie and camera work by John Kennedy (FÁS).

 

 

 

Minister for Arts launches collaboration between artist Pauline O’Connell and Ciarán Walsh | www.curator.ie

 A still from the shoot by  Ciarán Walsh \ www.curator.ie showing Thomas O'Sullivan carrying steel buckets  on the handlebars of an old bike as he cycles along a rural laneway in County Kerry, Ireland. Ciarán Walsh was shooting ‘Drawing the Water’ for artist Pauline O'Connell, a 5 minute film that deals with the tasks associated with collecting water. “It’s an intense reflection on the importance of water, the rhythm of the task of collecting it and the sensuous quality of washing by hand" says Walsh who spent three days filming the piece.

 

Saturday, 23 June 2012 | Milltown, County Kerry | Ireland

The official launch of  the collaboration between artist Pauline O’Connell and www.curator.ie takes place this weekend in Milltown, Co. Kerry. The project will be launched by arts minister Jimmy Deenihan T.D. in the community centre on Saturday. The event will involve a screening of the film, supporting documentation and a celebratory céilí or dance. It kicks off at 8pm.

‘Drawing the Water’ is a public art project by artist Pauline O’Connell. It was commissioned under the Per Cent for Art Scheme that is administered by the Arts Office of Kerry County Council. It was filmed by Ciarán Walsh in September, on location in Milltown and in a studio in Ballyheigue. Post production was managed by Ciarán Walsh.

‘Drawing the Water’ was inspired by ‘The Spout,’ a public water supply in the centre of the Milltown that was a focal point in the town as local people ‘drew’ fresh water on daily basis. O’Connell developed the piece over a year, collecting stories about ‘The Spout’ in schools and in the community.The film is a 5 minute short / artwork that deals with the tasks associated with collecting water. “It’s an intense reflection on the importance of water, the rhythm of the task of collecting it and the sensuous quality of washing by hand. It’s informed by all the conversations that Pauline has had with people in the town’” says Walsh who spent 3 days filming the artwork for O’Connell. The filming  involved performances by Thomas O’Sullivan of Milltown and Chiara Ghia.

 

Invitation: ‘Drawing the Water’     |     Information: Media Release

 

 

 A still from the shoot by  Ciarán Walsh \ www.curator.ie showing Chiara Ghia simulating the wring of water out of cloth. Ciarán Walsh was shooting ‘Drawing the Water’ for artist Pauline O'Connell, a 5 minute film that deals with the tasks associated with collecting water. “It’s an intense reflection on the importance of water, the rhythm of the task of collecting it and the sensuous quality of washing by hand" says Walsh who spent three days filming the piece. This scene was shot in a studio Ballyheigue where Walsh is based.


Inis Meáin 1973, an exhibition of photographs by Chris RodMell

A photograph of rye fields on Inis Meáin, the middle island of the Aran Island, Co Galway, Ireland. It shows two men taking a break whilst cutting rye which was used to make the distinctive thatched roofs on cottages on the island. It is included in an exhibition of photographs entitled 'Inis Meáin August 1973' An exhibition of photographs by Chris Rodmell that has just gone on show on the island. Curated by Ciarán Walsh,www.curator.ie

‘Infield’ by Chris Rodmell, Kodak Ektachrome (6X6), Inis Meáin, Aran Islands, 1973.

 

40 years on …

 

In 1973 Chris Rodmell arrived in Inis Meáin to make a short film. He had won a student award of £250 in response to a proposal to film life in an “enclosed community living on one of the remote islands off Ireland or Scotland.” He chose Inis Meáin. He spent three weeks on the island, filming with a 16mm Bolex and taking photographs with a medium format Mamiya on Kodak Ektachrome professional stock.

40 years on Chris has returned to Inis Meáin to present an exhibition of a selection of the photographs he took in 1973. ‘Inis Meáin 1973’ is presented by Tarlach De Blacam of Cniotáil Inis Meáin as part of a series of exhibitions by photographers who visited Inis Meáin. The series kicked off in 2009 with the acclaimed exhibition of photographs of Árann by John Millingon Synge;  this exhibition was included in ‘The Moderns,’ a major survey of modernism in Irish art that was held in IMMA (Irish Museum Of Modern Art) in 2010.

‘Synge’ was curated by Ciarán Walsh of curator.ie and he resumed his partnership with De Blacam to present ‘Inis Meáin 1973’ by Chris Rodmell, establishing Cniotáil Inis Meáin as one of the more interesting venues currently presenting photographic exhibitions.

The exhibition runs until 15 August 2012.

More information: Press release for ‘Inis Meáin 1973’ by Chris Rodmell

 

 

 

National Media goes after the Headhunters: curatorie.ie exhibition is a hit.

Charles R. Browne, The Irish Headhunter: a project by www.curator.ie

with the support of:

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' May 2012, the most important photographic archive to come into the public domain in Ireland in a long time. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

 

RTE National Prime Time News, 05.05.2012

A report by Seán Mac an tSíthigh

 

HEADHUNTER RTE NEWS 5 May 2012 from Ciaran Walsh on Vimeo.

 

Irish Independent

The Headhunters

By Ciarán Walsh

Wednesday April 28 2012

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' irish Independent , Weekend Magazine reveals the story behind the Irish Headhunter exhibition. t. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

28.05.2012: Irish Independent Weekend Magazine, article by Ciarán Walsh, www.curator.ie, giving the background to the ‘Headhunter’ project. Read More:

 

The Irish Times

Headhunter exhibits get the measure of Irish anthropology in the late 1800s

DEIRDRE McQUILLAN

Fri, Apr 27, 2012

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' The Irish Times mewspaper reports that the Irish Headhunter exhibition gets"The Measure of Anthropology in the 1800s. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

PHOTOGRAPHS TAKEN in remote parts of the west of Ireland between 1891 and 1900, are to be displayed in public for the first time in The Irish Headhunter exhibition which opens on May 3rd in the Blasket Centre in Dunquin.

The pictures were taken by Dublin GP and anthropologist Charles R Browne, who was instrumental in developing anthropology in TCD’s anatomy department.

Dr Browne surveyed communities on the western seaboard in a series of studies, starting with the Aran Islands, using the so-called anthropometric methods of the time to measure and classify humans and “racial types”.

Sliding rules, steel tapes and “craniometers” were used to gauge the circumference of the heads of his often unwilling subjects: methods that seem repellent to modern sensibilities, as Jane Maxwell says in the catalogue.

“Alive or dead, the head of the Irish peasant was a source of intense interest to Browne and his associates,” writes curator Ciarán Walsh in his introduction.

“The taking of skulls recorded in the photographs and ethnographies makes the evidence of headhunting in the west of Ireland the most striking aspect of the albums.”

These images and eyewitness accounts, however, give a valuable snapshot of the lives of rural people: their houses, their dress and modes of transport. Most importantly, their names are recorded – very significant in small, tight-knit communities, although a portrait of Inishbofin schoolmaster Myles Joyce and his daughter neglects to give her name, a telling omission.

The first photographs of the people of the Great Blasket are included along with the rugged people self-described as the “kings” of North Iniskea, Inishark and Clare Islands.

Dáithí de Mórdha of the Dunquin Centre identified Tomás Ó Criomhthain, author of The Islandman, in one photograph.

Dr Browne, born in 1857 in Co Tipperary, the son of a school inspector, graduated from TCD in 1893. He began his studies in the west with professor of zoology AC Haddon of TCD and later had a surgery in Harcourt Street.

He died in Cornwall in 1931 and his daughter Gwendoline gave the photographic albums to Trinity in 1997, shortly before her death.

The exhibition will later travel to Inis Oírr, Eanach Mheáin, Castlebar, Cambridge University and Dublin.

© 2012 The Irish Times

 

Ciarán Walsh, www.curator.ie. The Headhunter project developed by curator.ie makes the headlines in the broadsheets. The Irish Independent, the best selling newspaper in Ireland gives the project the full news treatment with a a two page spread in its 09.05.2012 edition. " The Irish Headhunter project is an exhibition of photographs collected by Charles R. Browne between 1891 and 1900. They are held in the Research Collections and Manuscripts library in Trinity College Dublin.It is presented in association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

Irish Independent

When the head hunters went way out west

By Majella O’Sullivan

Wednesday May 09 2012

 

HE is considered one of our most important writers, but in a picture taken nearly 120 years ago, it was the size of his head that captured the photographer’s attention.

Tomas O Criomhthain wrote ‘An tOileanach’ (‘The Islandman’), his autobiography about growing up in the Blasket Islands.

But he was also one of the subjects captured by Dr Charles R Browne for his study on the ethnicity of the people of the west coast of Ireland in the late 19th century.

At a time when race issues were in vogue, Dr Browne, who was attached to the Anatomy Department of Trinity College Dublin, was part of a study that was trying to search for an Africanoid Celtic race.

They set about measuring the heads and examining the physical features of the people of the west to establish where they were in the ‘Index of Nigrescence’.

This was designed to quantify how close people were to “being negro”.

Between 1891 and 1900 Dr Browne, who was from Co Tipperary but of Anglo Irish descent, travelled the west coast and the islands to study “isolated tribes”.

His study is illustrated by 62 photographs that are on display as part of ‘The Irish Headhunter’ exhibition in the Blasket Island Centre in Dun Chaoin, Co Kerry.

Exhibition

At the end of June the exhibition will move to the Aran Islands and Connemara, before it finishes up at the National Museum in Castlebar, Co Mayo.

“Browne wrote detailed ethnological reports of all these places, comparing the people of the islands to those living on the mainland,” said Daithi de Mordha, one of the curators of the exhibition.

“Unfortunately, we don’t have the report he did on the Blasket Islands and west Kerry but what we do have is a record of the west coast taken 120 years ago that is unparalleled.”

Dr Browne measured the heads of his subjects using an instrument called Flower’s Craniometer, often without their consent.

The photographs of Tomas O Criomhthain and two others show their front and side profile, almost like a modern-day police mug shot.

The photographs were taken on the Blasket Islands in 1897 when O Criomhthain was in his 40s.

Dr Browne also made detailed observations of the people.

Of the people of the Aran Islands he wrote: “The range and distinctiveness of the vision is astonishing . . . and we are told by Dr Kean that on a clear day, any of the men whose eyesight is average can, with a naked eye, make out a small sailing boat at Black Head, 20 miles away.”

Of the population of Mullet in Co Mayo he observes: “The people on the whole are good-looking, especially when young; many of the girls and young women are very handsome, but they appear to age rapidly and early become wrinkled.”

Other observations are less flattering like this one made on ‘dietetic diseases’ on Inishbofin: “There can be no doubt that the use, or abuse, of tea must bear a certain amount of the blame. The most common forms of complaint are flatulence and constipation.”

While in the 20th century we were obsessed with the north/south divide, these pictures show the east/west divide, Mr de Mordha added.

However, he also notes that while Dr Browne’s study may have begun as a cold, clinical scientific one, this changed over time.

“I think his opinion softened as he went along and he talks about them in more human terms,” the curator said.

 

 

Press coverage of the Irish Headhunters, Irish Examiner, 09.05.2012. Ciarán Walsh, www.curator.ie, Donal Hickey in the Irish Examiner describes how 'Rare Photos Capture Island Life in the !890s' . The Irish Independent, in a two page spread by Majella O'Sullivan describes what happened "When the Headhunters went Way Out West." The Irish Headhunter project is an exhibition of photographs collected by Charles R. Browne between 1891 and 1900. They are held in the Research Collections and Manuscripts library in Trinity College Dublin.It is presented in association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

Irish Examiner

Rare photos capture island life in 1890s

By Donal Hickey

Wednesday, May 09, 2012

 

An exhibition of rare photographs is offering a glimpse of life on the Blasket Islands and other parts of the west coast in the late 19th century.

Just opened at the Blasket Centre in Dunquin (Dún Chaoin), Co Kerry, the exhibition has been described as one of the most important and interesting photographic collections to come into the public domain for some time.

The photographs are drawn from the albums of Charles R Browne, a medical doctor and anthropologist from Dublin who surveyed communities in the remotest parts of the west between 1891 and 1900.

The photographs were filed in a series of albums, six of which survive, in the library of Trinity College Dublin. A selection is now being exhibited for the first time, with the permission of the TCD board.

Dr Browne began systematically recording skull measurements as a means of racial classification of island communities and their mainland neighbours in Kerry, the Aran Islands, Connemara, and Mayo.

Between 1891 and 1893, he worked with Alfred Cort Haddon on the Ethnography of the Aran Islands for the Royal Irish Academy.

According to the exhibition’s co-curator Ciaran Walsh, the Browne archive is an unequalled illustration of life in the west of Ireland in the 1890s, including some of the earliest known photos of these communities, their physical appearance, and styles of dress.

“The difference between these and other photographs of the same time lies in the systematic way Browne recorded his subjects,” Mr Walsh said.

Among the people photographed were Myles Joyce, the schoolmaster on Inishbofin, with his daughter, whose name is not recorded; Seán ‘An Common Noun’ Ó Dálaigh and all the schoolchildren of the old schoolhouse at Dún Chaoin; and the first photographs of the people of An Blascaod Mór (Great Blasket).

“The naming of subjects is one of the most striking features of Browne’s albums. Many people have not been named, but it is probable that many people will identify their great, great-grandparents during the run of this exhibition,” Mr Walsh said.

The exhibition will run for six weeks in the Blasket Centre before going on to venues in Galway and Mayo.

 

www.curator.ie invites you to meet the Irish Headhunters

 

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' May 2012, the most important photographic archive to come into the public domain in Ireland in a long time. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' May 2012, the most important photographic archive to come into the public domain in Ireland in a long time. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

 

Exhibition Dates 2012 /13

 

Ionad An Bhlascaoid Mhóir
3 May, 2012 – 23 June, 2012

 

Ionad Ealaíne Áras Éanna, Inis Oirr,

1 July, 2012 – 28 July 2012

 

Coláiste Ó Direáin, Inis Mór, Oileáin Árann

18 – 25 August, 2012 | National Heritage Week 2012.

 

Oireachtas na Gaeilge, An Galf Chúrsa, Eanach Mheáin
1 -25 September  2012 

(opening 19.30 Friday 31 August 2012. An Galf Chursa, Eanach Mheáin).

 

Áras Uí Ghrámhnaigh, Ráth Chairn, Baile Átha Buí, Co. na Mí.

05 – 31 October 2012

 

OPW Headquarters, Trim, Co Meath.

26 November  – 14 December 2012

 

Árd Mhúsaem na hÉireann, Saol na Tuaithe, Castlebar

National Musuem, of Ireland, Country Life, Castlebar

January 2012 – May 2013

 

 

2013

 

The Haddon Library, Cambridge University (September).

 

 

 

Catalogue | Catalóg

 

Fiagaí na gCeann Gaelach: Na hAlbaim Ghrianghraf le Charles R. Browne

The Irish Headhunter: The Photographic Albums of Charles R. Browne

by

Ciarán Walsh | www.curator.ie & Dáithí De Mórdha

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' May 2012, the most important photographic archive to come into the public domain in Ireland in a long time. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.